Addison Rae’s not here to play. From Coachella collabs with Charli XCX to cutting a full-length album with music powerhouse Columbia Records, it’s safe to say Rae has left her TikTok days behind her in pursuit of pop superstardom.
Her new album, Addison, is a far venture from her previous releases. While songs like “Obsessed,” released as part of her 2023 EP, AR, follow more of the mainstream pop-radio formula, Addison feels like Charli’s brat part two – using synth-pop and vocal distortion to make everything feel like you’re lost in the music at a local dance club. She sings of a glittering lifestyle, using songs like “Money is Everything” to tap into her inner Y2K muse. “Money’s not coming with me, and I have a lot of it, so can’t a girl just have fun?” Rae sings through sparkling synth and vibrant beats that pulse with energy, capturing the carefree attitude of her new sound. The album’s production is bold and experimental, blending nostalgic 2000s influences with modern electronic flair.
The album’s lead single, “Headphones On,” exemplifies her artistic growth. Its chorus, “Guess I gotta accept the pain, need a cigarette to make me feel better, every good thing comes my way, so I still get dolled up,” is relentlessly catchy—so much so that I find myself humming it at random moments. It’s a pop-perfect earworm that proves pop stars can come from anywhere—including an app on your phone—highlighting Rae’s ability to transcend her TikTok origins and establish herself as a serious artist.
Beyond the music, Rae’s evolving image and bold visual choices underscore her commitment to this new chapter. From fashion-forward music videos to daring performances, she’s embracing her role as a pop icon in the making. Critics are starting to take notice, praising her for her authenticity and willingness to experiment, which sets her apart in a crowded pop landscape.
In essence, Addison isn’t just an album; it’s Rae’s declaration that she’s here to stay and carve out her own space in the music industry, one synth-driven beat at a time.
Nicole Speros holds a Bachelor’s degree in Communications & Media Studies and is currently diving deeper into the industry at Berklee College of Music, where she’s studying Music Business. A passionate storyteller with an eye for what’s next, Nicole brings a sharp, curious voice to her work as a music journalist. She covers emerging artists, shifting trends, and the ever-evolving intersection of music and media—with a focus on authenticity, accessibility, and the songs that connect us all.
She’s an active member of GRAMMY U/The Recording Academy and Women in Music, always looking for ways to support and amplify voices in the industry. When she’s not in class or writing, you’ll probably find her stage-side at a local Boston show or hopping on a plane for her next adventure.